Oh sure, there have been a couple of examples of this particular brand of filmmaking that I have admired—John Boorman’s “Hope and Glory” and Steven Spielberg’s “Empire of the Sun” (especially its astounding first hour or so) immediately spring to mind—but those hardly begin to make up for such utter grotesqueries as “The Tin Drum,” “The Boy in the Striped Pajamas” and, of course, the more-appalling-than-ever “Life is Beautiful,” films that take the most horrific event of the 20th century and attempt to milk it for cheap sentiment and, hopefully, Oscar nominations from people who mistakenly assume that just because a movie involves a serious subject like the Holocaust, it must be serious as well and therefore worthy of consideration.
“Jojo Rabbit” is a deliberately quirky hybrid—a blending of a youngster’s “coming to terms with horror” story—a sort-of cousin to “The Boy in the Striped Pajamas”—with blissfully wacked-out ridicule of Nazis that makes “Hogan’s Heroes” look mild by comparison, including a Hitler who’s an exuberantly nutty “Animal House” caricature (until, at the very end, he morphs into something pretty terrifying).
By exploring the events of WWII through the eyes of a child (something other texts such as The Book Thief and The Boy In The Striped Pajamas also do), the film is granted more leeway to color outside of the lines of what would normally be acceptable.
I don’t object to this tone, and the movie does come out much more watchable than other films that have tried to glimpse the Nazi horror through a child’s limited perspective ( Life Is Beautiful , The Boy in the Striped Pajamas , The Book Thief ).
Waititi’s film is a smart and relevant one, though it’s nearly derailed by a mid-film descent into maudlin melodrama, more befitting a film like The Boy in the Striped Pajamas than the kind of gonzo satire that the director might have hoped for.
But the focus is so firmly on Jojo because his Hitler fanboy-ism is absolutely the only thing separating Jojo Rabbit from other straight dramas that have mined this exact same emotional dynamic, like The Book Thief or The Boy in the Striped Pajamas.