Jen Troy
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Filmography
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Connections, in both directions
The flavour of an intergalactic western, echoing both Star Wars and The Mandalorian and Grogu, is always there, complete with bizarre aliens and cumbersome, rusting but somehow still functioning spacecraft.
…the Star Wars cantina–influenced space bar scenes are fun…
…a young girl trying to recruit help at a local Mos Eisley-like cantina…
And speaking of bars, many of the scenes in this film feature some of the most imaginative and bizarre looking creatures this side of STAR WARS.
With SUPERGIRL, written by Ana Noguera and directed by Craig Gillespie, it’s not only a down-in-the-mouth slog, but it’s so derivative of STAR WARS, MAD MAX, and yes, GUARDIANS OF THE GALAXY, it makes me wonder if Gunn genuinely has the vision the WB executives thought he had.
That’s right, folks, Supergirl just introduced its own Mos Eisley Cantina – and, as well a chance for the show to have fun with its creature effects, it gives Alex and Maggie a chance to show off their sparky chemistry…
It’s as if someone meshed together the aesthetics of Mad Max: Fury Road and Guardians of the Galaxy…
And when it comes, it’s impossible to avoid comparisons with Guardians Of The Galaxy. This is the closest DC has ever come to the irreverence of Marvel’s much-loved franchise, and it’s fuelled by a rip-roaringly swaggering turn from Jason Momoa as bounty hunter, Lobo.
What could have been a “Guardians of the Galaxy” style space romp is, instead, more of a mixed bag.
A common criticism thrown towards this movie is that it is visually similar to James Gunn’s Guardians of the Galaxy.
It has a visual world similar to Guardians of the Galaxy, equally boring and stale humor, heavy use of popular music, and desperate moments where it tries to win our hearts with Krypto’s overly cute behaviors.
A touch of Guardians of the Galaxy there.
…as well as a few borrowed bits of Mad Max-ish dystopia…
There’s a little Mad Max here.
With SUPERGIRL, written by Ana Noguera and directed by Craig Gillespie, it’s not only a down-in-the-mouth slog, but it’s so derivative of STAR WARS, MAD MAX, and yes, GUARDIANS OF THE GALAXY, it makes me wonder if Gunn genuinely has the vision the WB executives thought he had.
…with the villains all looking like escapees from recent Mad Max films…
It’s as if someone meshed together the aesthetics of Mad Max: Fury Road and Guardians of the Galaxy…
It does pay off to a big sequence that owes some influence to Mad Max: Fury Road, which was entertaining to watch.
The inclusion of numerous child brides being trafficked feels even worse, like it was directly lifted from MAD MAX: FURY ROAD.
…a main story that’s cobbled together from elements that are either shamelessly derivative (Mad Max: Fury Road) or clichéd…
Describe This Movie Using One True Grit Quote:
ROOSTER COGBURN: I never shot nobody I didn’t have to.
But it’s clear from the opening moments that it’s actually taking its cue from both versions of True Grit.
Some True Grit.
“Supergirl” has an obvious affection for not only DC Comics, but also “Star Wars,” “John Wick” and a handful of post-apocalyptic flicks but allows those influences to get in the way of establishing a style and personality of its own.
The poisoning of Krypto reminded me of John Wick (2014), though Kara isn’t as bloodthirsty as John.
Alien John Wicks her way across the universe.
With Krem being the only one who possesses the antidote, the film morphs into something resembling a stripped-down, sci-fi “John Wick.”
…let’s not forget that the same problems were rife in Arrow for the first season…
Arrow is busy teasing people with potential deaths…
Supergirl needs to remember what makes it Supergirl, rather than try to be another Arrow.
Arrow and The Flash have both become defined by their lead group more than their individual heroes.
Supergirl finds herself facing off against a sinister, dark version of Supergirl (called Overgirl), and Oliver from Arrow goes bow-to-bow with Dark Arrow.
…remember it took Berlanti’s Arrow until Season 2 to find its feet and move Felicity Smoak from geeky comic relief to three-dimensional character…
The fact that this iteration felt like a photonegative of the last time we saw this event in Man of Steel was also a nice touch…
…she lures Kara into a punch-up that rivals Man of Steel for collateral damage…
The costume, designed by veteran Colleen Atwood, tastefully updates the old outfit so that it covers her midriff, while the texture recalls the butch strength of Henry Cavill’s Man of Steel.
She’s supported by a costume, designed by veteran Colleen Atwood, that tastefully updates Supergirl’s old outfit so that it covers her midriff, while the texture recalls the butch strength of Henry Cavill’s Man of Steel.
Man of Steel…
Despite the success of films such as The Hunger Games, the high-profile female-led movies that are now happening seem to be either comedies trying to repeat the success of Bridesmaids or remakes of franchise films starring men.
Despite the success of films such as The Hunger Games, the high-profile female-led movies that are now happening often seem to be comedies trying to repeat the success of Bridesmaids or remakes of franchise films starring men.
Despite the success of films such as The Hunger Games, the high-profile female-led movies that are now happening seem to be either comedies trying to repeat the success of Bridesmaids or remakes of franchise films starring men.
Despite the success of films such as The Hunger Games, the high-profile female-led movies that are now happening often seem to be comedies trying to repeat the success of Bridesmaids or remakes of franchise films starring men.
Traipsing around on a ship that looks like a trashed version of Winnebago, Eagle 5 from Spaceballs, filled with snack trash, discarded trinkets, and disorganized personal effects…
A bit of The Fifth Element.
The flavour of an intergalactic western, echoing both Star Wars and The Mandalorian and Grogu, is always there, complete with bizarre aliens and cumbersome, rusting but somehow still functioning spacecraft.
While it’s nice to see the Danvers duo bond over some Veronica Mars-like sleuthing, it’s hardly a compelling or surprising mystery.
After his very Inglourious Basterds-esque domestic invasion introduction, massacring the Knoll family, Krem is the leader of the Brigands…
There’s a slight lull in More I Cannot Wish You, the song that sees Stein and West capitulate and decide that what Millie wants is what matters most – you wish the show picked a different song for them (this one comes from Guys and Dolls), one that felt a little more relevant.
Who's Afraid of Virginia Woolf? (1966)
Directed by Mike Nichols
influenced Supergirl (2015)
Characters
A raw and physical performance from Alcock, who channels both the character’s heroic spirit and “Who’s Afraid of Virginia Woolf’s?” drunken, unpredictable Martha, lies at the film’s center.
But as we know, White Martians can shape-shift, which leads us to territory previously occupied by The Thing – territory that, many years and imitations later, has lost none of its fun.
Superhero crossovers are all the rage these days, but they come with a degree of risk – just ask anyone involved in DC’s big screen blockbusters or Marvel’s Iron Man 2.
(After all, let’s face it, on a plot level, this isn’t at the high bar set by Buffy – how cool would it have been if the singing all took place in the real world, rather than in fake Comaville??)