With a local Deputy (JAMES RANSONE) doing some investigating work for him on those, Ellison attempts to piece everything together in hopes that his resultant work might rival the success of "In Cold Blood."
He tells his wife (Juliet Rylance) that he’s stumbled onto his In Cold Blood.
With Ellison's decision to keep the videos from the authorities, despite multiple bumps in the night as a consequence of his film-viewing, Derrickson attempts to capture a flimsy Capote -esque quandary of a writer putting himself and others in danger in order to claim fame (at one point, Ellison even exclaims that the story he's following could be his In Cold Blood).
“This could be my In Cold Blood,” he says.
After watching the first two (including the one depicting the hanging of the family he’s writing about), he starts to call the police, but then changes his mind, perhaps because he realizes that these films could mark his true breakthrough, providing the kind of sensational material that will assure his next project legendary status—his In Cold Blood, as he puts it.
Believing he's stumbled across his own In Cold Blood, he stays up nights scrutinizing the films and looking for connections between killings whose locations and victims are still unknown.