Written by Peter Baynham (Arthur Christmas) and Robert Smigel (Saturday Night Live’s “TV Funhouse”) from a story by Todd Durham, Dan Hageman, and Kevin Hageman, Hotel Transylvania essentially marries the monster/human fear reversal of Monsters Inc. (1998) with the overprotective-father-needing-to-let-go themes of Finding Nemo (2003)—and if those references seem a tad dated, bear in mind that Hotel Transylvania was greenlit back in 2006 and has been through nearly half a dozen directors.
However, unlike those films, Hotel Transylvania is overstuffed with on-the-nose humor and an underwhelming storyline that each borrow heavily from other animated films, especially Finding Nemo , without offering anything new or compelling to the mix.
Similar in theme from the recent re-release of Disney/Pixar’s Finding Nemo , this story is centered around an overprotective dad who’s trying to shelter his child from the big bad world.
Turns out that with its theme of an overprotective dad who needs to learn about letting go, “Transylvania” could also be aiming for some of the current “Finding Nemo” crowd — and the work is entertaining enough that such ambitions wouldn’t be completely deluded.
So “Hotel Transylvania” takes the overprotective dad premise of “Finding Nemo” and wraps it in the central monsters-are-scared-of-humans joke of “Monsters, Inc.” with a “Ratatouille” reference to boot.
An overprotective father, a slightly rebellious child and the big, bad world that's out there lying in wait — in " Finding Nemo ," that provided the sturdy framework for a lovely, funny, artful story.