Complicated copyright ownership prevented him from making The Hobbit first and so he started with the LOTR films.
I think it plays during their absurd charge through a theme-park-style fight scene amid thousands of adversaries in the bowels of Goblin-town — a sequence that looks as if Peter Jackson is trying to outdo the Mines of Moria from The Fellowship of the Ring , but with all the conviction and danger of an action sequence in a Pirates of the Caribbean sequel.
In a way, this is soothing: one recalls the last time Jackson and company opened up a fantasy trilogy in 2001, with The Lord of the Rings: The Fellowship of the Ring , that movie was hectic and frenzied in its attempt to cram an incident-heavy plot - the busiest of any individual volume of The Lord of the Rings - into just a bit under three hours.
Missing are all semblances of character development, along with any attempts at creating tight emotional bonds on a level matching Sam and Frodo, who provided the heart and soul of “LOTR.”
Opting to divide J.R.R. Tolkien's The Hobbit — a slim work when compared to the gargantuan LOTR — into three films reeks of a cash grab even more than splitting the final Harry Potter and Twilight books into cinematic two-parters, but considering the piece gathers steam after a lethargic opening, it seems likely that the subsequent entries will maintain the stride and emerge more balanced.
In this mission — merely a field trip, compared with the earth-saving pilgrimage undertaken in The Fellowship of the Ring — Thorin enlists Gandalf, who brings along young Bilbo (Martin Freeman), whom he advertises to the dwarves as a pre-eminent burglar.