Writers Robert Mark Kamen and Luc Besson devise a film that combines both the action of a John Woo film and the intelligence of “La Femme Nikita”.
In the opening sequence of "The Transporter," actor Jason Statham elegantly edges into Luc Besson's hard-boiled world of "The Professional" and "La Femme Nikita."
The stylized mayhem of "The Transporter" has a good pedigree: Co-producer and co-writer Luc Besson put together a class act with Jet Li in "Kiss of the Dragon" and directed the action classics "La Femme Nikita" and "The Professional."
Amazingly, the film manages to work for those who aren't, and part of that's due to the effective script penned by Luc Besson (director of "The Professional" and "La Femme Nikita") and Robert Mark Kamen ("Kiss of the Dragon," "The Fifth Element").
What happens when you team up Hong Kong writer/producer/director/actor/fight choreographer Corey Yuen, known for countless Chinese action flicks dating back to the 1970s, French writer/producer/director Luc Besson, known for countless French movies like La Femme Nikita and Messenger: The Story of Joan of Arc , and American writer/winemaker Robert Mark Kamen, known for the Karate Kid movies and a really kickass Cabernet Sauvignon?
That, anyway, is the proposition of French enfant terrible producer-writer Luc Besson ("La Femme Nikita"), who has surrounded Statham with a lot of tough adversaries and pretty European scenery in an expensive-looking kick-fest called "The Transporter."