Where the film fails is in its resemblance, ironically, to Yuen's own work on The Bodyguard from Beijing (and even the awful Women on the Run) and in its uncomfortable similarity to John Woo's Hong Kong output--a cribbing owed as much to Yuen as producer Luc Besson, who has made it something of a closet industry in his action films to borrow liberally from The Killer and Hard-Boiled (and, in this particular instance, A Better Tomorrow II).