DESPITE the absence of scary music, sudden jolts and flashing knives, “The Blair Witch Project” may be the creepiest and most original horror film since John Carpenter’s classic “Halloween.”
I mean, the original Halloween was a great film, a true original -- but once Hollywood started 'sequelizing' it and all the stuff Carpenter came up with for the first time became a formula, it got killed with repetition."
This horror classic was the highest grossing independent film of all time (and rightfully so) until The Blair Witch Project took the title twenty years later.
Las esquirlas de aquel suceso junto con la revitalización del género que encabezó The Blair Witch Project (1999) con su reformulación del plano subjetivo como aspecto formal central, fueron los catalizadores de la continuación más odiada por los críticos, Haloween: Resurection (2002).