In the cycle of remakes, only Gus Van Sant’s Psycho seems as demented an endeavour as Luca Guadagnino’s Suspiria, which is perhaps the most admirable thing about it.
Plodding literal-mindedness seems to be the solution favored by director Luca Guadagnino, who has chosen to parlay the critical and commercial success of his much beloved “Call Me By Your Name” into the most inexplicable no-win remake scenario since Gus Van Sant followed “Good Will Hunting” with “Psycho.”