Popeye poster

Popeye (1980)

Directed by Robert Altman

Popeye is a super-strong, spinach-scarfing sailor man who's searching for his father. During a storm that wrecks his ship, Popeye washes ashore and winds up rooming at the Oyl household, where he meets Olive. Before he can win her heart, he must first contend with Olive's fiancé, Bluto.

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What critics compared Popeye to

Punch-Drunk Love poster
I still have the soundtrack on vinyl somewhere around here, but other than "He Needs Me" � so good Paul Thomas Anderson stole it for Punch-Drunk Love � I wish the songs still held any charm for me.
The surface simplicity also masks the complexity and absurdity of Anderson's vision, from Barry's electric blue suit and the starkness and size of his warehouse workplace to the propulsive percussion of Jon Brion's score and the loopy use of an off-key ditty from Robert Altman's infamous movie musical of Popeye as the central love theme.
Throughout most of this sequence, draped like a ratty, comfy bathrobe over a rumpled bed, Anderson weaves a song called "He Needs Me," which was recorded by Shelley Duvall for Robert Altman's 1980 Popeye movie, of which I am a lonely admirer.
Combustible Celluloid
combustiblecelluloid.com ↗
Robert Altman re-imagined Popeye for his 1980 movie, attempting to contextualize frustration and pent-up aggression, showing us that underneath that old cartoon lay very real anger brought about by very real problems.
Film Snobs
filmsnobs.com ↗
The film looks good and has its funny moments, but too often one senses Anderson straining to impress, whether by purloining (and misusing) a Harry Nilsson song from Altman's Popeye, or by tossing in yet another surreal, surprising or seemingly inexplicable narrative idiosyncrasy.
And Anderson must be credited with at least one stroke of pure genius -- digging up a Shelley Duvall-sung Harry Nilsson song from Robert Altman's Popeye and using it to far greater effect than that original movie ever did.
Kung Fu Hustle poster
Pigsty Alley is a delightful mix of the downtrodden and the optimistic, reminiscent of both Robert Altman�s Sweet Haven from Popeye and Jean Renoir�s slums in The The Lower Depths.
Ben Nieporent • eFilmCritic
archive.org ↗
There Will Be Blood poster
The evidence is both self-aware and incontrovertible: Anderson resuscitated Shelley Duvall’s rendition of Harry Nilsson’s “ He Needs Me ” from the 1980 Altman fiasco Popeye as theme song to 2002’s Punch-Drunk Love.
Box Office Mojo
archive.org ↗
Death Note poster
Imagine Robert Altman's Popeye by way of David Fincher's Se7en or Rian Johnson's Brick as a Final Destination sequel and you'll get a sense for Death Note's darkly comic sensibilities.
Silas Lesnick, www.cinemablend.com, silas-lesnick • CinemaBlend • Aug 27, 2017
cinemablend.com ↗
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Closer poster
Like Carnal Knowledge (which some consider Nichols’s best film, written—interestingly enough—by Jules Feiffer, who also wrote Popeye , which some consider Altman’s worst film), Closer is self-consciously hip, and like the more organic We Don’t Live Here Anymore earlier this year, both play and film could just as easily have been called The Rules of the Game, because Marber and Nichols (like Larry Goss) generate considerable excitement from watching people betray each other.
Ed Gonzalez • Slant Magazine • Jul 7, 2004
slantmagazine.com ↗
Barbie poster
That’s a shame, because the first half-hour or so is dazzling and often genuinely funny, a vision that’s something close to (though not nearly as weird as) the committed act of imagination Robert Altman pulled off with his marvelous Popeye.
Stephanie Zacharek • TIME • Jul 18, 2023
time.com ↗
Licorice Pizza poster
The song “He Needs Me” from 1980’s Popeye — with its title phrase, artless and plangent, repeated over and over by Shelley Duvall as Olive Oyl — has become something of a career-defining refrain for Paul Thomas Anderson, who made it a motif in 2002’s Punch-Drunk Love and whose films, again and again, are structured around unlikely couples who complement and complete each other.
Mark Asch • Hyperallergic • Nov 29, 2021
hyperallergic.com ↗
Doctor Sleep poster
At the end of the Shining, Jack Torrance dies as Danny (played by Ewan McGregor; Moulin Rouge!) and his mother, Wendy (Shelley Duvall; Popeye), take the snowcat and drive away from the overlook hotel.
Allison Rose, www.facebook.com, FlickDirect Inc • Flick Direct • Oct 30, 2019
flickdirect.com ↗
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The Master poster
I would also venture a guess that the director is a Popeye fan – having used an actual song from Robert Altman’s movie version in Punch-Drunk Love , he here casts Joaquin Phoenix as a squinting sailor-man who talks out of one side of his mouth and has a penchant for trying to solve things with fisticuffs.
Hulk poster
Sometimes, it's the director, who gets put through the wringer -- remember Robert Altman's struggles with Popeye.