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Connections, in both directions

Horrible Bosses poster
"Horrible Bosses" follows the precedent set by such earlier crime-gone-awry comedies as "Ruthless People" (1986), "Throw Momma from the Train" (1987) and "Bottle Rocket" (1996) with gut-busting gusto.
The movie also juggles a handful of established comedic subgenres extremely well, wisely letting the currently lucrative spillover from The Hangover take center stage though better and more timeless films like Swimming with Sharks , The Ref , and Ruthless People also share an indirect lineage.
Nick Nunziata • CHUD.com
chud.com ↗
Meet the Spartans poster
…and The Naked Gun—are characterized by their facility with the tone and detail work of genre films and their genius combination of straight-faced B-movie actors with lowbrow punch lines and sight gags.
The Manchurian Candidate poster
One of the central plot devices borrows the notion of the hypnotized zombie killer from the recently rereleased The Manchurian Candidate (1962) — another example of the movie’s tendency to grab at everything in sight rather than limit its focus to one (or even two or three) genres.
Jonathan Rosenbaum
archive.org ↗
Game Night poster
Game Night feels like one of those comedies from the 1980s, usually made by Touchstone Pictures, more often than not starring the likes of Bette Midler (Ruthless People, Outrageous Fortune) or Richard Dreyfuss (Stakeout), or even better the both of them (Down and Out in Beverly Hills), and that’s a good thing.
Sara Michelle Fetters
moviefreak.com ↗
Vampires Suck poster
Given the two-year gap since their last movie, one might have expected Friedberg/Seltzer might have made more of an effort and come up with some quality gags in the vein of their comedic forefathers the Zucker brothers (Airplane, The Naked Gun).
Randall King, feedloaderapi, Randall King Posted:, Mike McIntyre, Malak Abas, Ben Waldman, Connor McDowell, Aaron Epp, Free Press staff • Winnipeg Free Press • Aug 19, 2010
winnipegfreepress.com ↗
Would-be comedy flies fast, but it all feels recycled and stupid—not so stupid it's funny, mind you, like in "Airplane!" and "The Naked Gun," which actually had brains behind their ridiculousness, but so stupid it's just plain stupid.
Dust Input Man
dustinputman.com ↗
Inherent Vice poster
…and The Naked Gun were laugh-a-minute, whereas Inherent Vice is more baffled-guffaw-every-now-and-then.
Ryan Gilbey • New Statesman • Jan 29, 2015
newstatesman.com ↗
Pain & Gain poster
If anything, the film is trying to be something of an edgier version of the old 1986 comedy "Ruthless People" where a down-on-their-luck couple kidnap their ex-boss' wife to get revenge and extort money from him.
The Other Guys poster
The Other Guys is never quite a spoof in The Naked Gun vein, but its too comedically distinctive to fall into the common action-comedy trap of avoiding laughs in favor of pyrotechnics.
Scary Movie poster
Wayans' models here appear to be the Zucker-Abrahams-Zucker team ("Airplane!," "The Naked Gun" series) and the Farrelly Brothers.
Taylor Charles • Salon • Jul 7, 2000
archive.org ↗
Featuring scenes that make American Pie, There's Something About Mary, and Me, Myself and Irene seem almost tame, Scary Movie combines the raunchiness of '90s teen comedies with the single-movie spoof approach of Mel Brooks and the rapid-fire barrage of gags and jokes used in Airplane and The Naked Gun.
James Berardinelli • ReelViews
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Signs poster
It clicks off several popular movies (" Signs ," " The Sixth Sense ," " The Matrix ," " 8 Mile ," " The Ring ") and recycles scenes from them through a spoofalator, but it's feeding off these movies, not skewering them.
RogerEbert.com
rogerebert.com ↗
Part of the problem lies with their choice of films to parody this time out, a heady and at times downright bizarre mix of Gore Verbinski’s fine remake The Ring, M. Night Shyamalan’s occasionally eerie Signs, and – wait for it – Eminem’s hip-hop rags-to-bitches tale 8 Mile.
The Austin Chronicle
archive.org ↗
This time around the movies being parodied are “Signs,” “The Ring,” “8 Mile,” “The Others” and more as wannabe-a-hardnosed-reporter Cindy Campbell (Anna Faris hunts down the source of a mysterious video tape that, when watched, portends death to the viewer in seven days.
Reeling Reviews • Jan 10, 2020
reelingreviews.com ↗
The closest the movie gets to really skewering anything or anyone are moments where it goes after the increasingly preachy and self-important director M. Night Shyamalan, whose next film better be in wide-screen format if he plans on making his name any bigger than it was on Signs.
Mountain Xpress
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Charlie Sheen is the tortured single father with a cornfield full of alien graffiti in the Signs parody portion of the film, and brother Simon Rex takes a trip to 8 Mile to deliver Midwest rap on white bread with mayo.
Just take “The Ring,” “Signs,” “8 Mile” and “The Matrix,” throw them in a blender, and you have the story of alien invasion, an evil girl at the bottom of the well, a wannabe white rapper and some pretentious speeches.
Fat Guys at the Movies
fatguysatthemovies.com ↗
Seven Pounds poster
Besides being inextricably linked to 1988's spoof extraordinaire "The Naked Gun," the lyrics don't exactly lend themselves to an elementary school choir ("I walked her home and she held my hand/I knew it wouldn't be just a one-night stand").
TheMovieBoy
themovieboy.com ↗
Pirates of the Caribbean: At World's End poster
After the credits rolled I felt like entering the theater lobby and doing my best impression of Leslie Nielsen in The Naked Gun , as the fireworks store blows up in the background: “Please disperse, there’s nothing to see here!”
Bill Clark, www.facebook.com • From the Balcony • May 25, 2007
fromthebalcony.com ↗
Hot Fuzz poster
To me, a spoof is a film that takes the cliches inherent in the genre under consideration and then amplifies them in a way that underlines just how ridiculous they are–“The Naked Gun” is a perfect example of a spoof of cop movies.
Ben Nieporent • eFilmCritic
archive.org ↗
…or The Naked Gun for gut-busting laughs.
It strikes sort of an agreeable, English accented, Police Squad! tone – not that it relies on that TV show’s sight gags and puns, but that the actors deliver often silly material with a completely straight face.
Living in Cinema • Apr 25, 2007
archive.org ↗
Unlike cop parodies such as The Naked Gun films, Hot Fuzz builds to genuinely thrilling action scenes, only set in humble grocery stores and cobblestone town squares.
Grown Ups 2 poster
In a mountainous cast featuring what seems to be a hundred recognizable faces, Steve Buscemi (2013's " The Incredible Burt Wonderstone ") continues to show off a fearless comedic side as driving instructor Wiley; Shaquille O'Neal (2006's " Scary Movie 4 ") and Steve Austin (2010's " The Expendables ") are surprisingly inspired as Officer Fluzoo and tough guy Tommy Cavanaugh, and Cheri Oteri (2007's " Southland Tales ") is a happy addition as Penny, the delusional girl from Lenny's past that he doesn't even remember existed.
Lights Out poster
Alexander DiPersia (2008's " An American Carol ") excels as Rebecca's semi-love interest Bret the more the viewer gets to know him; at the start, he appears to be rough around the edges and untrustworthy, but he quickly proves to be exactly the opposite, supporting Rebecca and Martin in their time of need and?shocker?actually…
Dustin Putman • The Fright File
thefrightfile.com ↗
Braveheart poster
And anyone who has seen the magnificent battle scenes in " Braveheart " will be almost embarrassed for director director Jerry Zucker ("Ghost," "Ruthless People"), whose confusingly filmed battles do little to enhance a slow-moving story.
Palo Alto Online
paloaltoonline.com ↗
Ghost poster
Director Jerry Zucker's resume of raucous farces like "Airplane!", "Ruthless People" and "The Naked Gun" gives no indication of his being capable of sustaining the movie's many shifts of tone and tempo, but he pulls it off, certainly more successfully than Spielberg did in "Always," which was more saccharine than romantic and was weighed down by overblown comic interludes.
Interbridge
archive.org ↗
…and "The Naked Gun," makes his solo directing debut and displays a knack for mixing comedy, suspense and romance.
The Philadelphia Inquirer • Jul 13, 1990
philly.com ↗
"Ruthless People" and "Naked Gun" among his chief credits.
Rita Kempley • The Washington Post • Jul 13, 1990
washingtonpost.com ↗
In this artistically devalued summer of schlockbusters ("Days of Total RoboCop III"), it means Jerry Zucker's movie (he made "Airplane!" and "Ruthless People") is surprisingly entertaining and goes along nicely with the theater's air conditioning.
Desson Howe • The Washington Post • Jul 13, 1990
washingtonpost.com ↗
Director Jerry Zucker's resume of raucous farces like "Airplane!", "Ruthless People" and "The Naked Gun" gives no indication of his being capable of sustaining the movie's many shifts of tone and tempo, but he pulls it off, certainly more successfully than Spielberg did in "Always," which was more saccharine than romantic and was weighed down by overblown comic interludes.
Interbridge
archive.org ↗
Jerry Zucker's breakthrough helming--after making his name as a comedy director (Airplane!, Ruthless People)--made a well-oiled ensemble of disparate stars and created moments so memorable they invited Zucker-esque parody.
Limitless poster
Screenwriter Leslie Dixon nurtured this project ever since she read the original novel, “The Dark Fields,” but her credits range from “Ruthless People” to “Freaky Friday.”
Stephen Whitty | For Inside Jersey, Stephen Whitty, For Inside Jersey, John Baer, www.facebook.com, stephen.whitty.film • NJ.com • Mar 18, 2011
nj.com ↗
Torn Curtain poster
…by anachronistically merging two dissimilar and outdated movie formulas — the Elvis Presley rock musical and the World War II epic — and adding elements from cold war thrillers like Torn Curtain for good measure.
Jonathan Rosenbaum
archive.org ↗
Devil poster
An elevator in a Philadelphia skyscraper gets stuck between floors, and then Satan proceeds to pick off the passengers, one by one, in mildly gruesome PG13 ways: there’s a black man (Bokeem Woodbine: Jasper, Texas ), an old woman (Jenny O’Hara: Extract ), a young woman (Bojana Novakovic: Edge of Darkness ), a white guy who’s a jerk (Geoffrey Arend: An American Carol ), and a white guy who seems like maybe he’s okay (Logan Marshall-Green: Brooklyn’s Finest ): that’s the extent of the fleshing out the characters get.