Terrifier (2018)
Directed by Damien Leone
A maniacal clown named Art terrorizes three young women on Halloween night and everyone else who stands in his way.
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What critics compared Terrifier to
After the Terrifier films and In a Violent Nature raised the bar on gore, the kills feel pedestrian and, because they’re also pointless, mean.
Las inconsistencias se presentan también en el tono de las muertes y las agresiones, que a veces parecen querer competir con el salvajismo del payaso Art en ‘Terrifier’…
The kills also deliver a queasy laugh quotient, akin to a “Terrifier” film where we know what happens next but the anticipation is darkly comic.
He would definitely love Art the Clown from the Terrifier franchise as they’re both characters who waste no time in killing their prey, spilling as much guts and blood as they possibly can.
The film’s prologue pushes the boundaries of horror, even in our “Terrifier” age.
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…from “elevated horror” psychological explorations like It Comes at Night to hyperviolent gorefests like Terrifier…
We’re living in a post-Terrifier world now, where visceral carnage can be wonderfully over the top whether it’s deserved or not. While Art the Clown wallows in homicidal mayhem, the monkey silently observes its handiwork but doesn’t suffer fools; disrespect it at your own peril.
…like the darkly comic “Terrifier” saga…