It’s as if the director watched Quentin Tarantino’s Pulp Fiction , Doug Liman’s Go , Guy Ritchie’s Snatch , and Joe Carnahan’s Smokin’ Aces and thought he’d try to use Isaka’s source material as the base ingredient in a stew that would be an homage to all of those 1990s and early 2000s crowd-pleasers.
The influence of the Pulp Fiction director can obviously never be overstated, but it’s reaching a point where any pop culture reference in a film is characterised as stealing from Tarantino, and while the irreverent, bolshy nature of Bullet Train will inevitably rub some people up the wrong way, yet it possesses merits and is a lot of fun.
Any major actor’s presence will alter a project; if the above theory carries any weight whatsoever, it’s why this feels thirty percent less like one of those completely disposable post- Pulp Fiction endurance tests of contrived cleverness and pop culture references.
Además, siguen una dinámica parecida a los reconocidos Vincent y Jules de Pulp Fiction , sin llegar a esas interacciones tan míticas que son historia del cine, mezcla al realizador Quentin Tarantino con el británico.
Cuando te sientas a ver “Tren Bala”, la nueva película del director David Leitch, las comparaciones con “Kill Bill” (o Tarantino en general) son inevitables: su mezcla de géneros, curioso humor negro y descarada violencia recuerdan mucho a las piezas más famosas del director de “Pulp Fiction”.
Klingt ein bisschen nach einer Forstsetzung von Pulp Fiction .