The design of Atlantis and the underwater kingdoms is gorgeous, with the bioluminescent environments and lavishly gaudy costume designs giving it a real “ Flash Gordon under the sea” vibe; seriously, this movie features dresses made out of jellyfish and henchman uniforms straight out of a series of Power Rangers , and yet it all somehow just works.
Some of the film’s fight scenes are truly impressive in nature, but others look lifted off a Power Rangers battle.
That angry son becomes the revenge-driven baddie Black Manta (Yahya Adbul-Mateen II), who looks a little too much like a Power Rangers sidekick in live-action and about whom the movie seems to forget entirely partway through.
Once Aqua put on his best Club Monaco jet-setting fit, the film really let’s go and somehow the same journey takes him through the Sahara, Italy, on a boat fighting Power Rangers demons and finally, a Crash Bandicoot level.
The director James Wan ("Saw," "The Conjuring," "Furious 7") has concocted an action-packed story that is partly a redemption tale and partly a coming-of-age story but with an entertaining low-stakes feel that can be best described as a mix between a "Power Rangers" movie and the classic 1982 Disney movie "Tron."
Y acertaron: James Wan logró su cometido al robarse, de Ant-Man 2 , el humor, la idea de un universo escondido y de una mamá guerrera perdida (vean el traje de Kidman y el de Pfeiffer); de Black Panther la mitad del argumento, la batalla entre hermanos y la idea de una sociedad escondida con pistas de superioridades raciales (más allá del argumento de Geoff); De Power Rangers lo ridículo de sus villanos; de Uncharted los pequeños puzzles de dudosa complejidad y, de The Mummy , la estética aventurera del desierto; de Thor: Ragnarok el atrevimiento de una estética neón insolente y de Pacific Rim el diseño de un Kaiju que, también, toma mucho del Smaug de Tolkien en su forma de hablar (con una sorpresiva Julie Andrews detrás del doblaje).