Much like Sofia Coppola’s The Beguiled, or Chan-wook Park’s The Handmaiden, every small detail feels thoroughly.
(Incidentally, I also noticed a reference to Don Siegel’s 1971 movie “The Beguiled,” in which – as in its 2017 remake by Sofia Coppola – mushrooms become weapons in the war between the sexes.)
Shades of last year’s remake of The Beguiled abound in these sections; suffice to say, you’ll think twice the next time you eat mushrooms.
Al igual que en Happy Together (1997), de Wong Kar-wai, la enfermedad y el cuidado son una herramienta de coerción, mientras que las setas, el más fálico de los alimentos, regresan de ambas versiones de El seductor ( The Beguiled , 1971, 2017) como un veneno y un signo de la toxicidad masculina.
If you prefer screenplay structure, this thread unravels down the stretch, mushrooming into an implausible finish that was better executed months ago by Sofia Coppola in “The Beguiled” (2017).