For at least an hour, Oculus director Mike Flanagan approximates the patient, genre storytelling and atmospherics of The Conjuring sequence.
Indeed, there have been so many similar supernatural films of this ilk in recent memory, from 2011's " Insidious " and its sequels, to 2012's " Sinister " and its sequel, to 2013's " The Conjuring " and its sequel, to 2014's " Annabelle ," to 2016's " Lights Out ," a slight whiff of the commonplace has begun to permeate each new entry, no matter how well they are done.
Flanagan isn't the only filmmaker treading this path of late; indeed, taking the Ouija series in this direction clearly owes much to the success of The Conjuring , its spinoff and sequel.
Flanagan has some fun with the '60s setting, putting fake cigarette burns like the ones you might find on old film reels every 20 minutes - but the movie still doesn't quite match the period feel of an old-time horror movie as well as "The Conjuring" and its sequel did.
The rest of the time, however, the movie is an exercise in pedestrian storytelling with minimal tension, and feels a bit like The Conjuring lite.
Like The Conjuring and the many immersive spook-house thrillers inspired by it, Origin of Evil demands and rewards attentiveness, inviting scrutiny of its frames, study of its negative space.