The former has resulted in countless essays discussing in minute detail the elements that are unique and interesting about the way in which Roeg ( Walkabout ) filmed and assembled the movie.
Hollywood was cranking out honest-to-God masterpieces, or at least near masterpieces, on a regular basis, and aesthetes like Roeg (whose previous Walkabout is a similarly dreamlike evocation of time and place) were getting Hollywood-funded distribution for their unconventional imaginings of the metaphysical world.
Fresh from the success of his first two films (“Performance” 1970, and “Walkabout” 1971) Roeg cast international stars Julie Christie and Donald Sutherland as a married couple coming to grips with the death of their daughter.
It's rare when a filmmaker helms one genuine masterpiece in his lifetime, let alone two (and consecutively!), yet that was the case when Nicolas Roeg followed 1971's Walkabout with another motion picture equally as brilliant.
Made in between his memorable directorial debut, Performance, and his two subsequent films, Don't Look Now and The Man Who Fell to Earth (which have come to be recognized as his signature works), Walkabout is a bit of a lost work.