"Private Ryan" makes "The Longest Day" look like "Beach Blanket Bingo."
Though the film runs close to three hours and includes a large cast of extras and several large, meticulously staged battle scenes, it is by no means a vast, impersonal epic in the tradition of "The Longest Day.
Those recreations, which set a high standard for WWII action not fully eclipsed until Spielberg's Saving Private Ryan, are the film's enduring achievement.
Considered violent and realistic when it was made, how does The Longest Day compare, in terms of both tone and on-screen brutality, to more recent combat films ( Saving Private Ryan , Lone Survivor )?
"Ryan" is more of a piece with Ken Annakin's 1962 epic, "The Longest Day," featuring an all-star cast in a retelling of the Allied invasion of Normandy--a re-creation of historical events emphasizing the actuality of battle more than an exploration of the lives of its combatants.
Nothing the soldiers do to escape or fight back is of any avail -- in fact, their efforts backfire with diabolical irony, the kind of cruel poetic injustices that mark the lumbering D-Day epic The Longest Day (1961), and more cynically that underrated paean to World War II disillusionment, The Victors (1963).