Terminator 2: Judgment Day (1991)
Directed by James Cameron
Ten years after the events of the original, a reprogrammed T-800 is sent back in time to protect young John Connor from the shape-shifting T-1000. Together with his mother Sarah, he fights to stop Skynet from triggering a nuclear apocalypse.
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9 films that influenced Terminator 2: Judgment Day
What critics say influenced Terminator 2: Judgment Day
Director and co-screenwriter James Cameron has the framing eye of a great comic-book artist, and a bracingly sick sense of humor -- he wittily borrows from the surrealistic hallucinations of "Nightmare on Elm Street," the paranoia of "Silence of the Lambs" -- and even indulges in a clever reversal of the melting Wicked Witch scene from "The Wizard of Oz."
The replicants in Blade Runner (Ridley Scott, 1982), Bishop in Aliens (James Cameron, 1986), Murphy once he has become the cyborg enforcer in RoboCop (Paul Verhoeven, 1987) and even The Terminator in Terminator 2: Judgment Day (James Cameron, 1991) all express compassion, passions and degrees of empathy that most of the human characters in the films fail to possess.
Yet most people, critics and audiences included, continue to be "stunned" by CGI, even though it has not changed one bit since it was first used a decade ago in Terminator 2 and Jurassic Park.
''Terminator 2: Judgment Day'' may include the largest and most varied arsenal ever employed in one film, and that includes ''The Longest Day.''
Knowing the twist beforehand neither ruins the overall movie-going experience nor damages its integrity, but it's not unlike being aware of the identity of Luke's father while watching The Empire Strikes Back .
There are many sequels that approach their progenitors, let alone surpass them; maybe "Terminator 2," for some viewers "Godfather II," but most certainly "The Empire Strikes Back."
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As played by Arnold Schwarzenegger, whose witty "Night of the Living Dead" delivery turned this into the role of a lifetime, the Terminator became a major anti-hero, the monster from the id you couldn't help but admire.
Big explosions (Terminator 2: Judgment Day).
Nevertheless, fate and an enforced edict that Dune not go over 137 minutes--a rarely-shattered glass ceiling on genre movies that, far from coincidentally, is the exact running-time of the theatrical versions of James Cameron's Aliens and Terminator 2: Judgment Day --conspired to give us a David Lynch film through and through.
To spice things up, Schwarzenegger is dressed as a biker and Patrick as a cop, the latter displaying quicksilver capacities that hark back to the friendly alien force in The Abyss.
(Most of the movie's massive budget went to pay for this spectacular effect - a more sophisticated version of the malleable aliens seen in "The Abyss," also directed by James Cameron.)
James Cameron, whose vivid imagination, stylish directing talent and roller-coaster action mentality has already knocked our socks off cinematically with "The Terminator," "Aliens" and "The Abyss," does it again with "Terminator 2: Judgment Day," the sequel to his first film.
Some of the special effects are close to those used in ''The Abyss,'' which should come as no surprise because both films were directed by James Cameron, who also did the first ''Terminator.''
Cameron has taken the most memorable image from his underwater epic, "The Abyss" - the living tentacle of water that mimicked the faces it came across - and developed a whole language from it.
Anyone who has seen Cameron's The Abyss will have seen an early prototype of the technology he would use for the liquid metal in this film.
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Terminator 2: Judgment Day (1991) continued many of the same themes as the original Terminator, but with millions of dollars in striking digital effects.
But rather than a tut-tut advocacy to unplug, “The Terminator” suggests healthy skepticism and, at the end of its 1991 sequel, “Terminator 2: Judgment Day,” a great deal of hope.
Still a toss-up between The Terminator (1984) and Aliens as to which James Cameron picture ranks as his best (don't anybody even breathe the word Avatar), this propulsively exciting yarn about a murderous cyborg has long staked its claim as a classic — science fiction or otherwise — for the ages.
The story takes place seven years after “The Terminator,” and Sarah Connor (Linda Hamilton) is, well, nuts.
A sequel to the original ''The Terminator'' released in 1984, the new film is 2 hours and 14 minutes of car, truck, bike and anything else that crashes on the move.