Richard Rush
11 connections found
View:
Connections, in both directions
The reality vs. fantasy element has been done before in films within films, most notably in the Oscar nominated 1980 film, The Stunt Man, although this anime takes the theme and runs with it for all its worth.
Alien Nation is just a buddy-cop movie where James Caan’s partner has spots on his head and is allergic to water, as opposed to say, in Freebie and the Bean where Caan's partner is a neurotic Hispanic (played by Alan Arkin).
Whether you are the kind of hard-core action buff who can recount the plot points of “Silent Rage” or “Freebie and the Bean” in obsessive detail or the kind of newbie who has yet to catch up with the likes of “Dirty Harry,” “Hot Fuzz” is the kind of instant classic comedy that will have you smiling for weeks after seeing it.
What works best about Hot Fuzz isn't its admirable respect for and similarly keen understanding of films like Robin Hardy's The Wicker Man and Richard Rush's fondly-remembered Freebie and the Bean, but that it, like Shaun of the Dead , functions remarkably well as an example of the genre--something of which most parodies (i.e.
All of these improbable characters entertain, but seem kind of motley…until you work your way backwards from McDonagh's spectacularly fanciful ending, which reveals them all to be cogs in a clockwork mechanism (which recalls, among other things, the denouement of the cult classic The Stunt Man).
Once Upon a Time... in Hollywood (2019)
Directed by Quentin Tarantino
influenced by The Stunt Man (1980)
Visuals
Some might find certain sections overly long – it’s Tarantino, they always are – but the difference this time round is that these scenes add texture rather dialogue (we see an awful lot of Dalton’s episode of Lancer, which Tarantino presents as its own reality, rather like Richard Rush’s 1980 cult classic The Stunt Man).
As Charlie Kaufman’s Adaptation so brilliantly satirized , there were a lot of hacky thrillers in the 1980s and '90s that included multiple personality gimmicks, and the worst one of all was probably Color of Night, the infamous Bruce Willis movie from 1994.
If you like this, try: "The Stunt Man" and "Zoolander"…
Do you think it is ever appropriate for an actor to play a character of another race?If you like this, try: “The Stunt Man” and “Zoolander”…
Caught Stealing (2025)
Directed by Darren Aronofsky
influenced by Freebie and the Bean (1974)
Themes
…evoking completely out-of-style films of the 1970’s like Little Murders or Freebie and the Bean…
, The Stunt Man, Cinema Paradiso, both films are unavoidably Italian in perspective and both feature a somewhat addled film director who is awash in the vagaries of memory.
Fifty Shades of Grey (2015)
Directed by Sam Taylor-Johnson
influenced by Color of Night (1994)
Themes
Dornan could have answered, “Have you seen The Story of O.?” Anyone who’s old enough to remember the old fear and hysteria caused by S&M movies like Luis Buñuel’s Belle du Jour and Tim Blake Nelson’s O and Adrian Lyne’s Nine 1/2 Weeks; or anyone who’s seen Bernardo Bertolucci’s Last Tango in Paris, Michael Haneke’s The Piano Teacher, and the trashily vicious Color of Night; or anyone who’s watched Maggie Gyllenhaal and James Spader in the imperfectly exciting Secretary, or watched Girls’s audacious second season or any year of Sex and the City is likely to leave Fifty Shades of Grey perplexed by its uncontroversial mildness.
Most of all, Split reminded me of Color of Night, the infamous, Willis-starring erotic thriller from 1994, and it even had the same ending, albeit replacing the sexuality with a ridiculous amount of mugging.