Co-written by Diane Ruggerio, Rob Thomas's sharply written screenplay is evident, especially from the quippy one-liners traded by Veronica with others with running narration by Veronica completing the central noir conceit along with the shadowy lighting - although let's be honest that this idea was generally done better in Rian Johnson's debut "Brick."
Think of it as the flip side of VERONICA MARS, which uses hip patter and an ironic tone in following the adventures of Kristen Bell’s teenage gumshoe.
You may not have seen Veronica Mars during its TV heyday, but you may be familiar with the similarly themed Brick, Rian Johnson’s first film that’s also a sun kissed teen tribute to Marlowe and Hammett.
After a brief prologue meant to familiarize newcomers with the show’s premise and three years of abbreviated plot, delivered as usual by Veronica (Kristen Bell) in voiceover designed to recall the first-person narration of hardboiled detective pulp (though not to the extent of “Brick”), we’re reintroduced to the heroine ten years after her high school graduation.