Similar to the style of director Matteo Garrone and his Italian crime film "Gomorrah," director Demange hustles behind his actors like an eavesdropper or a battle correspondent, giving each new scene and set of characters a chance to register without letting them derail the narrative locomotive.
The likes of Yann Demange’s pulse-pounding thriller ’71 and Paul Greengrass’s Bloody Sunday provide a more intense representation of the time period, but Belfast goes in the other direction.