From the early ‘70s foundations like Robin Redbreast, The Blood on Satan’s Claw, and The Wicker Man to modern entries such as Ben Wheatley’s Kill List, the country’s contributions to that distinct subgenre have thrived and evolved across the decades.
However, nobody does them quite like us Brits, with classics like The Wicker Man and Witchfinder General, as well as more recent offerings such as Ben Wheatley’s Kill List and now Daniel Kokotajlo’s Starve Acre, all digging their claws into more terrifying areas within the paganistic culture that has been present throughout much of Britain’s elongated history.