At least since 2013’s Rush anyway, but never quite so proudly branded as F1…
Not unlike Ron Howard’s Rush, Kosinski knows how to capture adrenaline through camera position and movement, always placing us in just the right spot between the characters or between the vehicles to ramp up the suspense.
You can see the influence of better racing films in the DNA: the bruised poetry of Ford v Ferrari, the tight emotional structure of Rush, even the metaphorical sweetness of Cars.
The film, which lands in theaters June 27 before a streaming release on Apple TV+, is a deft addition to a sturdy lineage of motorsport flicks, from Rush and Gran Turismo to Ford v Ferrari and, most recently, Ferrari.
…owing a variety of debts to prior 'art' like Le Mans '66 and Rush…
For comparison, Ron Howard’s “Rush” told a richer, more human story. And that was half an hour shorter.