On the other hand, his kid-ont-the-run spectacle “Hunt for the Wilderpeople” was a little too mawkish for my taste and “Eagle vs. Shark” was a “Napoleon Dynamite” wannabe that came perilously close to being even more obnoxious and irritating than its inspiration.
If Two Cars, One Night represents what’s best about Waititi’s approach, his 2007 feature debut Eagle vs Shark mostly occupies the other end of the spectrum.
…movies that weave comedy and tragedy together) about a lonely and misfit protagonist, in the vein of Waititi's Kiwi films like Eagle vs Shark and Hunt for the Wilderpeople.
From his early New Zealand films such as Eagle vs Shark (2007), through his inspired comedy about inept vampires What We Do in the Shadows (2014), even in Thor: Ragnarok (2017), where he voiced a dorky talking rock pile, Waititi has been interested in likeable, sheepish misfits, and the hero of Jojo Rabbit is absolutely cut from this cloth.
Hablo, claro, de la comedia romántica incómodamente geek Eagle vs Shark (2007); hablo de Boy (2010), un fascinante coming of age de alocada inspiración twainesca; What we do in the Shadows (2 014), un falso documental genial sobre vampiros adolescentes; y Hunt for the Wilderpeople (2016), una cinta para enamorarse nuevamente de Sam Neil como viejito gruñón en los parajes perdidos de Nueva Zelandia.
"Boy" and "Hunt for the Wilderpeople" are the obvious examples, but the themes of an outsider coming to learn where they belong in the world are felt throughout his other films like "What We Do in the Shadows," "Eagle vs Shark," and even "Thor: Ragnarok."