Despite being deeply steeped in British culture and dry humor, though, the film from directors David Bowers and Sam Fell (and an army of writers) simply lacks the simple, delicate charm that has marked everything Aardman Features has ever produced on its own (like “Chicken Run” and the Oscar-winning “Wallace & Gromit in The Curse of the Were-Rabbit”).
After beginning its partnership with Hollywood's DreamWorks studio, Aardman stuck to its guns with the charming Chicken Run.
Like other films produced by DreamWorks and Aardman Animation (Chicken Run, Wallace and Gromit: The Curse of the Were-Rabbit), Flushed Away is loaded with groan-worthy puns ("Pardon me, my fly's undone," says The Toad when an insect he swallowed tries to escape) and pop-culture references (I spotted nods to James Bond, Superman, The Fly, Batman, Lady and the Tramp, Finding Nemo and Mary Poppins, among others), and it playfully mocks horror-movie clichés, as well (the old fisherman who takes Roddy to the docks where Rita can be found speaks into a bottle to make his voice echo).
Much of it is also quite funny, which shouldn't be much of a surprise; Tracey Ullman was one of the creative consultants, and the screenplay was co-written by Peter Lord, who co-directed Aardman's 2000 hit "Chicken Run."
Flushed Away, the new feature from Aardman Animations (the animation studio that also produced Chicken Run and the ingenious Wallace & Gromit films) revels in its British-ness â itâs full of bone-dry wit, football references, and ribs on the French â and I was hooked from the first shot of Tower Bridge.
Aardman does goofy Claymation wit, DreamWorks does shiny blockbuster computer-generated imagery, and when the two collaborated on "Chicken Run" and "Wallace and Gromit: The Curse of the Were-Rabbit," the big behemoth generally let the little guys alone.