Director John Lasseter worked with a team of screenwriters, which included Buffy guru Joss Whedon, future Pixar Oscar winners Andrew Stanton (Finding Nemo, WALL•E) and Pete Docter (Monsters, Inc., Up), Joel Cohen and Alec Sokolow (who would go on to collaborate on decidedly lesser future projects like the Garfield movies and Daddy Day Camp), and Disney veteran Joe Ranft (who had contributed story material to both Beauty & the Beast and The Lion King) to craft a story that is both familiar and unique.
It comes as little surprise that Cohen and Sokolow (both of whom co-wrote Toy Story) have penned the film's screenplay, as the film's structure eerily echoes that Pixar hit.
Bill Murray's ("Lost in Translation") sardonic drawl is the perfect voice for Jim Davis' long running comic strip creation, but his wit is not matched by screenwriters Joel Cohen & Alec Sokolow ("Toy Story"), who strain milking laughs from pop cultural references and the repetitive observations of Davis himself.
…disinterest by “Toy Story” scribes Joel Cohen and Alec Sokolow, and directed by Peter Hewitt, whose previous contribution to world cinema was “Bill & Ted’s Bogus Journey.”
To say that the film borrows liberally from the Toy Story films for its plot would be a bit like comparing the cumulative differences between amoebae with a view from space; a self-professed master of his domain finds his top-shelf position threatened by an over-eager newcomer, and eventually acquiesces to his companionship after a daring rescue has been played out.
Although when his new rival gets lost -- then kidnapped by a tacky TV pet-trick showman (Stephen Tobolowsky) -- Garfield feels guilty because he let Odie out of the house, and the cat reluctantly mounts a rescue mission that bears more than a passing resemblance to the plot of "Toy Story 2."