Amadeus ranks as his finest film, and that's a significant claim considering his other fine films— The Firemen's Ball , Hair, The People vs. Larry Flynt, and One Flew Over the Cuckoo's Nest (winner of the Academy Award in 1976).
12 years later, his The People vs. Larry Flynt became the darling of the critics (and earned Forman his third Best Director nomination).
More than Amadeus or One Flew Over the Cuckoo's Nest, Larry Flynt is of a piece with Ed Wood, the previous film from screenwriters Scott Alexander and Larry Karaszewski.
Like his "Amadeus" and "One Flew Over the Cuckoo's Nest," this picture is a classic man-against-the-establishment set-up that is adroitly turned into a commentary on repression and freedom in our society.
Perhaps because he directed "Amadeus," or perhaps because Americans make certain assumptions about foreign filmmakers, Milos Forman has earned the reputation of a cultured man.
And what better person to expose the danger of censorship and the value of the right to publish -- even if the subject matter is tacky and offensive -- than Czechoslovakian native Forman, whose resume includes "One Flew Over the Cuckoo's Nest" and "Amadeus."