There have been many apt comparisons of The Matrix Resurrections to Wes Craven's metatextual New Nightmare, but I was also struck by its similar thematic threads to Joe Berlinger's much maligned (and much misunderstood) Book of Shadows: Blair Witch 2, a film that acknowledges the existence of its hugely influential predecessor and seeks to interrogate its own societal impact.
Wes Craven’s New Nightmare , the seventh installment of the Nightmare on Elm Street franchise, exists outside of the series’ continuity and in a world in which Freddy Krueger is known for being … an iconic movie villain.
Similar to movies such as Wes Craven’s New Nightmare or Star Wars: The Last Jedi , this is a self aware Matrix movie, unafraid to break the mythology into pieces, and build it back together in the artist’s own vision.
It’s hard to explain just why I love The Matrix Resurrections as much as I do, but the best comparison I can make it that this feels like Lana has crafted her own Matrix story by way of New Nightmare here, and considering just how much I adore Wes Craven’s meta sequel with every fiber of my being, then perhaps it should come as no surprise that Resurrections absolutely blew my mind and thrilled me from start to finish.