Trance is high-order, film noir nonsense that takes Boyle back to the thrillers he made at the start of his career with John Hodge (he wrote Trance, too), like Shallow Grave and Trainspotting, that were preoccupied with the grimy corners of the psyche.
This one shares DNA and one of its cowriters with "Shallow Grave" but its style is current Boyle, as defined by the stunning work of now constant collaborator cinematographer Anthony Todd Mantle.
Scripters Joe Ahearne (a BBC -TV veteran) and John Lodge (who worked on Boyle's excellent early films, "Shallow Grave" and "Trainspotting") have given the story more twists and turns and double crosses than a Boy Scout manual of knots, and untangling them becomes a bit of a chore.
Though beguiling, it doesn't have the dark wit of Boyle's mysterious Shallow Grave or the pulsating suspense of Trainspotting, his harrowing portrait of drug addiction.
This is Boyle from an excellent vintage: his first feature, the delicious dark comedy Shallow Grave (1994) plays the same game of whom do you trust?
Back in the day, all it took was a bit of muscle and some nerve to rob art from auction, Simon explains in a stretch of Scottish-lilted, direct-address narration that not only recalls Hodge’s earlier scripts (“Shallow Grave,” “Trainspotting”), but suggests a younger, softer-edged Ewan McGregor.