Director Neil Jordan ( The Crying Game ) imbues several scenes with eerie poetry that honors such great movie fantasists as Jean Cocteau and Nosferatu director F.W. Murnau, and these touches look good on video — this shadowy movie has been sensitively transferred to the small screen.
Suite du cycle Vampires de la Cinematek, qui nous propose un saut dans le temps ; du classicisme gothique du Dracula de 1931 (Tod Browning) au romantisme décadent d’Entretien avec un vampire.
His credits include Scorsese's " The Age of Innocence " and Gilliam's " The Adventures of Baron Munchausen ," and here he combines the elegance of the former and the fantastic images of the latter into a vampire world of eerie beauty.
It's not a great genre movie in the sense that Murnau's Nosferatu was a great movie, and it's not even that original of a film, such as Kathryn Bigelow's redneck vampire opus Near Dark.
Despite being a vampire film, there aren’t many scares and there aren’t supposed to be…these aren’t violent vampires like ’Salem’s Lot or The Lost Boys .
In the crucial role of the vampire Lestat, his performance pulsates with that hyper-motivated pep many find appealing, but he just ain't The One. Picture "Blade Runner" replicant Rutger Hauer, picture Nazi commandant Ralph Fiennes, picture really big guy John Goodman before you picture Cruise.
The vampires are like the nomadic young junkies in Gus Van Sant’s Drugstore Cowboy , hungry for their next fix and ready to lie, cheat, steal or kill to get it.
His credits include Scorsese's " The Age of Innocence " and Gilliam's " The Adventures of Baron Munchausen ," and here he combines the elegance of the former and the fantastic images of the latter into a vampire world of eerie beauty.
Vampire movies told through the eyes of the predator are best-suited for comedy, as in Love at First Bite--well, maybe not best-suited--or metaphor, as in The Hunger.