"Superman" opens like "Star Wars" and then gets down to earth.
This Warner Brothers release has already received more hype than The Great Gatsby, King Kong, and Star Wars.
(It's worth noting that the flying effects don't improve between Superman and Superman II, despite the quantum advances made in visual effects for George Lucas' Star Wars trilogy.)
Although this film tries to supply an element of mysticism (the box-office lesson of “Star Wars” and the Force has been learned), it’s Superman in the form of the joyless interim actor who goes to the North Pole to commune with his psychically still alive father.