In the TV mini-series Frankenstein: The True Story (1973), writer Christopher Isherwood was one of the first authors to suggest that if a human scientist tried to create augmented life, the creature might turn out to be handsome rather than horrific - visually, if not morally.
There’s Michael Sarrazin in Frankenstein: The True Story (before he starts to rot), and perhaps Srdjan Zelenovic in Flesh for Frankenstein, and that’s about it … until Jacob Elordi in Guillermo del Toro’s disappointing new Frankenstein.