Suggested by a Dostoevsky novella, but set in an entirely created world in which only the language makes any reference to the place moviegoers will reenter once they exit the theater, and paying homage to the likes of " Brazil ," Orson Welles ’ "The Trial," and "Eraserhead" within its first five minutes, "The Double" insists upon its bona fides with a will and makes you like it.
Richard Ayoade is the writer and director of this oddball film which is based on the 1846 Dostoevsky novella The Double and brings to mind Terry Gilliam's Brazil and Orson Wells' adaptation of Franz Kafka's The Trial .
I thought of Orson Welles' Kafka adaptation "The Trial," in which Anthony Perkins runs in place as the world around relentlessly persecutes him without explanation.
And while the film may be based on Dostoyevsky, it’s just as much in debt to Welles’ adaptation of Kafka’s The Trial, an absurdist nightmare of prison cell apartments and inhumane authorities seeking to trap the only seemingly sane man alive.