Inspired by Orson Welles' "The Magnificent Ambersons" and stories by J. D. Salinger, Anderson and co-writer Owen Wilson locate their family story in a tall New York house.
“Boyhood” is something else again, almost a combination of Michael Apted’s “Up” documentaries, Ingmar Bergman’s “Fanny and Alexander” and Orson Welles’ “The Magnificent Ambersons,” but translated into Linklater’s Texas-Zen aesthetic and the world of the 21st-century American family.
With Welles it was The Magnificent Ambersons , an adaptation of Booth Tarkington’s Pulitzer Prize-winning novel about the decline of a wealthy Midwestern family.
Whether it’s the backstabbing Roy clan of HBO’s Succession, the blundering Bluths of Arrested Development or the titular family in Orson Welles’ The Magnificent Ambersons, riches-to-rags tales are a ton of fun — particularly when they feature hopelessly dysfunctional characters.