When Cash stumbles into Lift's plan to exploit workers like never before, Riley's satire enters the nightmare realm of Lindsay Anderson's O Lucky Man!
After a skin-crawling sequence in which Cassius is forced to “Rap! Rap! Rap!” by a roomful of drunk white partygoers, the narrative takes an O Lucky Man! -style left turn, unexpectedly recalling the cross-generic shuntings of Brian Yuzna’s seminal socio-economic comic-shocker Society .
Instead, I'd like to focus on the overall tone of the picture, which calls to mind Robocop , Time Bandits , Bamboozled , and, perhaps most clearly, O Lucky Man! Lindsay Anderson's fantasy about the compromises one must make with one's own principles (and the natural order itself) in order to succeed in a capitalist society.