Hans-Christian Schmid
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Connections, in both directions
Yet this British production is actually closer in tone to such German offerings as Hans-Christian Schmid’s 2006 masterpiece Requiem (inspired by the tragic real-life case of Anneliese Michel), or Dietrich Brüggemann’s Stations of the Cross (2014) in which spiritual sacrifice mingles with self-harm.
Others have compared The Witch to Jennifer Kent’s The Babadook and Tomas Alfredson’s Let the Right One In , although I found myself thinking more of Hans-Christian Schmid’s Requiem as a thematic companion piece.