Lucrecia Martel
4 connections found
View:
Connections, in both directions
As if he is channeling Federico Fellini’s Amarcord, Chantal Akerman’s Jeanne Dielman, Lucrecia Martel’s The Holy Girl or Edward Yang’s Yi Yi, there’s no denying Roma is Cuarón’s most personal film since his 2001 classic Y Tu Mamá También.
Céline Sciamma’s Portrait of a Lady on Fire will probably draw comparison to two recent films, Lucrecia Martel’s Zama and Luca Guadagnino’s Call Me by Your Name , for completely different reasons.
Crítica de “Años luz”, ensayo documental de Manuel Abramovich sobre Lucrecia Martel y ”Zama”…
There will surely be many commentaries on Zama as a film about the politics of colonialism, past and present: as such, it can be networked with a lively range of pertinent comparisons, from Werner Herzog’s Aguirre, the Wrath of God (1972) to, more recently, James Gray’s The Lost City of Z (2016) and—closer to Martel in style and tone—Lisandro Alonso’s Jauja (2014).