Shooting in restrained black-and-white, and drawing from scores by 1960s Georges Delerue themes from movies like “King of Hearts,” “Promise at Dawn” and “Contempt,” “Frances Ha” is post-nouvelle vague but in the richest possible cinephilic manner.
Richard LaGravenese's script follows in the tradition of A Thousand Clowns, King of Hearts and One Flew Over the Cuckoo's Nest, in which a character whom society sees as crazy or irresponsible proves to be wiser than the respected guardians of morality.
As Peary notes, this black comedy by director Hal Ashby remains “one of the most popular of all cult movies” — one which, unlike King of Hearts (another counter-culture hit of the era), actually “holds up quite well today”.