Piers Haggard
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Aficionados may recall a few similar "folk horror" films, including some great ones ("The Conqueror Worm," "The Blood on Satan's Claw"), but the inspiration here is historical and literary: This is the old weird America of the Salem witch trials and of "Young Goodman Brown" and other supernatural stories by Nathaniel Hawthorne, who pioneered a particularly New England brand of terror.
Conjuring the spirit of such convincing occult dramas as Carl Theodor Dreyer’s Day Of Wrath, Michael Reeves’ Witchfinder General and Piers Haggard’s The Blood On Satan’s Claw, The Witch favours verisimilitude, formal exactitude and insidious dread over cheap shocks.
Bajo el manto del folk horror , con igual importancia, se incluyen cintas más ancladas a la brujería como The Witches (1966), Witchfinder General (1968), The Blood on Satan’s Claw (1971), The VVitch (2015) o Hagazussa (2017), y las películas más apegadas a la idea de ritos ancestrales como The Ritual (2017), las dos joyas de Ben Wheatley, Kill List (2011) y A Field in England (2013), o la reciente Apostle (2018) de Gareth Evans.
They’re talking about the incoming Spider-Man spin-off, but, having sat through their new space opera, we could have sworn they were talking about Venom , the 1981 Alien knock-off, featuring a black mamba in lieu of Alien’s tentacled genital-faced extra-terrestrials.