Sammi Cohen
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In that regard, imagine a “Mean Girls” where the gags are safely trite and characters seldom say or do the wrong thing: That’s the boringly amiable vibe here, a risk-free disposition that admittedly weakened several young-skewing movies of late, even worthier ones like “Booksmart” and the “To All The Boys” series.
The film also has a bunch of homages to high school comedies of yore (I clocked tastes of She’s All That, Mean Girls, and 10 Things I Hate About You, while But I’m a Cheerleader is an obvious progenitor), a few cute Easter eggs for anyone older who just loves the genre.
For instance, the “cool” mom who tries a little too hard (forever emblematized by Amy Poehler in “Mean Girls”) — she can stay.
The film also has a bunch of homages to high school comedies of yore (I clocked tastes of She’s All That, Mean Girls, and 10 Things I Hate About You, while But I’m a Cheerleader is an obvious progenitor), a few cute Easter eggs for anyone older who just loves the genre.
The film also has a bunch of homages to high school comedies of yore (I clocked tastes of She’s All That, Mean Girls, and 10 Things I Hate About You, while But I’m a Cheerleader is an obvious progenitor), a few cute Easter eggs for anyone older who just loves the genre.
Sure, this is not something as great as, say, “Carol” (2015), but it does its job as well as intended in addition to contributing a bit to the growing representation of sexual minority kids in American movies during last several years, and I am certainly pleased about this recent welcoming change.
These have been appealing teen movies, usually some degree of female-centered and queer-friendly-namely, putting out better versions of what Olivia Wilde's Booksmart was trying to do in 2019.