Now with The Wolfman, which is the official Universal Pictures remake of The Wolf Man (1941), director Joe Johnston and screenwriters Andrew Kevin Walker and David Self have attempted to retain some of that old-time spooky atmosphere and character development.
If you follow movie news, you know this beauty has been delayed and tweaked for months by its studio, Universal, which allowed its 1941 classic film of the same name (sort of--it was called “The Wolf Man” then) to be bastardized by director Joe Johnston, the man responsible for such crowd-pleasures as “Jumanji” and the forever-memorable “Honey, I Shrunk the Kids.”
Although drawn primarily from George Waggner’s The Wolf Man (1941), which begat Lon Chaney Jr.’s career as a monster star par excellence (he would go on to play virtually every monster in the Universal catalog over the next decade), it also draws background from the oft-forgotten Werewolf of London (1936), which helped establish the on-screen lore of lycanthropy.
Written by Andrew Kevin Walker and David Self, based on the 1941 film “The Wolf Man,” written by Curt Siodmak.
Joe Johnston sets his remake of the 1941 Lon Chaney Jr. classic The Wolf Man in Victorian England, a fitting backdrop for a Jekyll and Hyde–esque tale of men battling beasts within.