Leonard Nimoy
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Serenity (2005)
Directed by Joss Whedon
influenced by Star Trek III: The Search for Spock (1984)
Visuals
Given that "Firefly" is often referred to as the anti-"Star Trek," it's worth noting that Whedon rationalizes a deep-space cloud formation by pointing to Star Trek II: The Wrath of Khan and boasts that Mal and Inara are standing on the same rocky slope that served as the Genesis Planet in Star Trek III: The Search for Spock .
In the same way Star Trek IV: The Voyage Home looked to the sea for salvation so too does this film, but instead of a humpback whale it rests on the shoulders of Aquaman to stop a covert and corrupt operation to destroy the land so the ocean can reign supreme.
Elements teased but the script but not developed in subsequent drafts of the screenplay, include a missed opportunity for the world’s second great ecological blockbuster (after Star Trek IV: The Voyage Home) and the original prospect of a treasure hunt with a fictional city’s antiquity as a backdrop.
I also have no use for the score: much as I preferred his work on 1986's Aliens when it was used in 1984's Star Trek III: The Search for Spock , so did I find the music in Titanic better the first time I heard it, as the score for Braveheart .
Project Hail Mary (2026)
Directed by Phil Lord
influenced by Star Trek IV: The Voyage Home (1986)
Themes
In its mixture of lighthearted adventure and more thoughtful cosmic reflection, Project Hail Mary most resembles the original Star Trek films, especially the lighter The Voyage Home.
Mad pigeon attacks, the best use of whales since Star Trek IV: The Voyage Home , and not one, but five green-timer countdown sequences--each go a long way towards blunting the essential tastelessness of a disaster movie in a historical epoch where actual disasters are grim reality and constant possibility.
(The katra is what allowed Spock to hang out in McCoy’s body between Star Trek II: The Wrath of Khan and Star Trek III: The Search for Spock.
Butrick returned to reprise the role of David in 1984's "Star Trek III: The Search for Spock."
Star Trek Into Darkness (2013)
Directed by J.J. Abrams
influenced by Star Trek IV: The Voyage Home (1986), Star Trek III: The Search for Spock (1984)
Plot
While the film may borrow heavily from previous even-numbered Star Trek films (the twisty plot of Star Trek VI: The Undiscovered Country, the relentless action and pace of Star Trek II: The Wrath of Khan, and the friendly humor of Star Trek IV: The Voyage Home), it also establishes its own identity.
Spock croaked, but Nimoy's Vulcan heart was so warmed by the fan agony that the actor returned to direct Star Trek III: The Search for Spock and, post-resurrection, has clung to the franchise, even titling his follow-up memoir I Am Spock.
Attempts to recreate the suspense of the second Trek feature were evident in Star Trek III: The Search for Spock, Star Trek VI: The Undiscovered Country, and Star Trek (X): Nemesis.
For example, when the crew destroyed the Enterprise in “Star Trek III: The Search for Spock,” it was shocking.
Star Trek Beyond (2016)
Directed by Justin Lin
influenced by Star Trek III: The Search for Spock (1984), Star Trek IV: The Voyage Home (1986)
In the film's most spectacular action sequence (one that rhymes this crew's " Star Trek 3" with the original crew's Star Trek III ), Kirk's ambushed crew gets stranded, mostly two by two, on a hostile planet.
Not since Star Trek IV: The Voyage Home has any Star Trek movie of any generation put in such an earnest effort to give each member of the cast a meaningful contribution to the plot, and it doesn't actually work: the Uhura/Sulu leg of the story is absolutely given short shrift, with Sulu barely even registering for the first three-quarters of the movie (the ballyhooed "he's gay now" scene barely even causes a flicker, and would practically count as subtext if one doesn't go looking for it), and Uhura coming across as a generic "strong female character = can punch things" figure, though at least it's better than "Spock's nagging girlfriend", like she was in the last two movies.