Barbra Streisand
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Many combinations were suggested, my own preference being Nick Nolte and Barbra Streisand, who made such a lovely couple in “The Prince of Tides,” but in the end the lucky winners were Jamie Dornan and Dakota Johnson.
This is because these periods of prosperity and tragedy helped solidify the modern ideal of the American dream; ideals of freedom and possibility that are personified best of all in Barbra Streisand’s Yentl (1983).
Cinematographer Stephen Goldblatt, whose keen sense of the South earned him an Oscar nomination for 1991's "The Prince of Tides," makes the most of it, giving even the dirt roads and decaying frame houses a kind of gauzy beauty usually reserved for the plantation-styled manses.
The nomination for Children of Heaven is like Al Pacino's win for Scent of a Woman or Lauren Bacall's The Mirror Has Two Faces nod: Iran well deserves an Oscar, but not for this picture.
He’s not, father forgive me, making “The Prince of Tides.”
Her directing effort, "The Prince of Tides" was a great film about loss, emotional wounds, and relationships until Babs single-handedly ruined it with her loud, whining psychologist steam-rolling through the movie.
Freedom Writers (2007)
Directed by Richard LaGravenese
influenced by The Mirror Has Two Faces (1996)
Writer-director Richard LaGravenese boasts a rather eclectic résumé of writing credits, which include "The Fisher King" (for which he was Oscar-nominated), "The Ref," "A Little Princess," and "The Mirror Has Two Faces."