In that respect, Lindholm's film is reminiscent of Tom McCarthy's Spotlight (2015), a film about a group of journalists who, while researching sexual scandals in the church, face the institutional negation that prompts people to keep their mouth shut.
The first are the Oscar swings, idiosyncratic films made by big-name auteurs drawn by the studio’s seemingly bottomless coffers– The Irishman, Da 5 Bloods, The Ballad of Buster Scruggs, Mank.