Naturally, all of this is shot through a pungent fuchsia filter and riddled with so many pop-up graphics that it almost feels like a direct homage to “Natural Born Killers” or any of the other queasy, hyper-active crime stories that blew through the mid-’90s like a heatwave.
The opening sequence has the mad, hallucinogenic look of a bonus scene from "Natural Born Killers."
The scene is played for sicko laughs, with some of the garish instability of that Rodney Dangerfield sequence in Natural Born Killers and a similar, scattergun approach to social satire.
From the opening scene, which is reminiscent of Natural Born Killers in its delirious violence, this is a film that hurtles forward with a manic, unflagging energy and a complete disregard for the rules of storytelling or good taste.
Had the experiment worked, “ Dog Eat Dog ” might have been the next “Natural Born Killers” — a cracked-out postmodern romp whose delinquent antiheroes see themselves as the stars of the ultimate bandits-on-the-run movie.
Sometimes it looks like outtakes from a “Natural Born Killers” ripoff that never happened.