28 Years Later: The Bone Temple (2026)
Directed by Nia DaCosta
Dr. Kelson finds himself in a shocking new relationship - with consequences that could change the world as they know it - and Spike's encounter with Jimmy Crystal becomes a nightmare he can't escape.
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42 films that influenced 28 Years Later: The Bone Temple
What critics say influenced 28 Years Later: The Bone Temple
…including a Clockwork Orange-inspired home invasion that is both sickening and terrifying…
…a roving gang of ruffians who Clockwork Orange their way around the countryside wearing platinum blonde wigs and matching jumpsuits…
…with the latter bringing some dark Clockwork Orange vibes…
…make the Droogs of “A Clockwork Oranges” look like do-gooders.
…think A Clockwork Orange’s droogs…
Similar to Alex’s Droogs in Stanley Kubrick’s A Clockwork Orange, Jimmy and his Fingers, who have names like Jimmy Ink (Erin Kellyman), Jimmy Snake (Ghazi Al Ruffai), and Jimmima (Emma Laird), revel in the anarchy and violence they inflict on those, living and undead, they come across.
…we will have to wait and see how this one ties in and connects the dots from 28 Days Later to the end.
Boyle’s return to the franchise replaced the lo-fi gritty handheld of 28 Days Later with glossy cinematography, extended worldbuilding and sometimes sarcastic directorial flourishes.
It’s through the characters and their morally grey journeys and conflicts that bring The Bone Temple closest to the original film 28 Days Later…
…there are moments that clearly call back to shots from the original 28 Days Later…
…even the use of the original 28 Days Later theme on the credits carries a bit more than its worthy weight from recognition.
Fans of 28 Days Later and the larger franchise should find enough here to make the Blu-ray worth considering.
…continuing the previous resistible motifs of zombie knobs, Teletubbies and interminable waffle…
Plus a surprising number of Tellytubby references.
…to the tune of a thrashy rendition of the Teletubbies theme song…
Conveying both a dangerously short fuse, while desperately wanting to keep up an image of sophistication, O’Connell can turn a simple story about the Teletubbies into a sinister moment.
Crystal and his goons have a fondness for violent initiation rituals, skinning survivors, and the Teletubbies.
…whom we saw in the previous film’s early scenes as a young child surrounded by Teletubbies and religion at the time of the apocalypse…
…asking whether the real monsters are the infected or the living, a theme familiar to fans of AMC’s The Walking Dead.
While 28 Days Later predated and essentially predicted the glut of apocalyptic TV shows and movies we’ve had in this century about what humans look like when society breaks down—think The Last of Us, Bird Box, and most especially The Walking Dead empire…
…projects like The Walking Dead, Zombieland, and World War Z all followed in its wake in various ways…
If I were to compare this franchise to The Walking Dead, then Jimmy Crystal would be Negan.
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Who couldn't love a character study with shades of Apocalypse Now…
…a combo of mad Col. Kurtz in “Apocalypse Now”…
Satanism was an unexpected direction for the Jimmies–after the Power Rangers-esque fight scene at the end of the last film–with far more disturbing scenes.
One plot follows Spike facing off against the “Fingers” gang, whom he views through the lens of the Tokusatsu programmes (like Power Rangers or Kamen Rider) he likely grew up watching.
The second film in a trilogy has a tough remit with relatively high stakes. It should feel like a natural continuation of the first film, while advancing both the plot and the world-building in meaningful and interesting ways. Sure, sounds easy, but few films can objectively claim this, such as “The Empire Strikes Back,” “The Two Towers,” “Aliens,” and of course, “CarousHELL 2.”
Of course you could say the same thing about The Empire Strikes Back or Breakin’ 2: Electric Boogaloo…
Expanding upon the world created by Danny Boyle and Alex Garland in 28 Years Later but turning that world on its head – Nia DaCosta directs 28 Years Later: The Bone Temple.
The climactic emergence of a roving cult dedicated to an unlikely icon is, I’m sure, divisive, but I will spare my own commentary on it for when I see more of them in next year’s 28 Years Later: The Bone Temple.
It is perhaps a more conventional sequel than 28 Years Later.
Director Nia DaCosta follows Danny Boyle’s 28 Years Later with The Bone Temple, a leaner, smarter, nastier sequel, the best of the franchise since the original.
…the acclaimed 28 Years Later, which blended kinetic handheld action with an at-times surprisingly lovely depiction of grief and loss in a world beyond saving.
…it was an extended setup for the sequel, 28 Years Later: The Bone Temple.
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While 28 Days Later predated and essentially predicted the glut of apocalyptic TV shows and movies we’ve had in this century about what humans look like when society breaks down—think The Last of Us, Bird Box, and most especially The Walking Dead empire…
Taking a page out of The Last of Us’s playbook (which took multiple pages out of 28 Days Later’s playbook), The Bone Temple is primarily interesting because it’s a zombie apocalypse movie with human antagonists.
Looking at you, “We Bury the Dead” (2025).
At least “We Bury the Dead,” which focused on grief more than gore, kept our attention.