Swearnet: The Movie poster

Swearnet: The Movie (2014)

Directed by Warren P. Sonoda

Fed up with being censored in their post-Trailer Park Boys lives, the out of work stars/world-renowned 'swearists', Mike Smith, Robb Wells and John Paul Tremblay decide to start their own uncensored network on the internet.

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5 films that influenced Swearnet: The Movie

What critics say influenced Swearnet: The Movie

Orgazmo poster
The key difference between that duo and the Trailer Park Boys, however, is that the majority of Parker and Stone's self-generated efforts—the good (Book of Mormon, the “South Park” movie), the bad (Orgazmo) and the uneven ( Team America: World Police )—at least use their brash, provocative mode of comedy to speak to one unifying Big Idea.
Trailer Park Boys poster
A mere week after inflicting the ungodly awfulness of Trailer Park Boys: Don’t Legalize It on our shores, the Canadian cutups have the effrontery to do it again with their meta-themed, purported comedy in which Mike Smith, Robb Wells and John Paul Tremblay play versions of themselves rather than their beloved (in Canada, at least) characters.
THR Staff • The Hollywood Reporter • Sep 11, 2014
hollywoodreporter.com ↗
Here’s an indication of how bad the out-of-character Trailer Park Boys ’ comedy Swearnet: The Movie is: the best thing about it is bottom-drawer Canadian comic Tom Green .
Swearnet—both the film and the website it's named after—is the brainchild of Mike Smith, John Paul Tremblay and Robb Wells, a trio of Canadian comics who are collectively known as the "Trailer Park Boys," the title of a successful mockumentary TV series they've headlined since 2001.
Green gets off some self-aware zingers — a Freddy Got Fingered gag included — with deadpan delivery that contrasts with the increasingly desperate and unfunny antics of stars Robb Wells, John Paul Tremblay and Mike Smith .
The Muppet Movie poster
Swearnet: The Movie is, if you will, The Muppet Movie version of how Swearnet: The Website came to be, offering up a lightly fictionalized version of the site's origin with the three principals playing themselves.
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The key difference between that duo and the Trailer Park Boys, however, is that the majority of Parker and Stone's self-generated efforts—the good (Book of Mormon, the “South Park” movie), the bad (Orgazmo) and the uneven ( Team America: World Police )—at least use their brash, provocative mode of comedy to speak to one unifying Big Idea.

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