Nebraska (2013)
Directed by Alexander Payne
An aging, booze-addled father takes a trip from Montana to Nebraska with his estranged son in order to claim what he believes to be a million-dollar sweepstakes prize.
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Mangold y el cinefotógrafo Phedon Papamichael ( Nebraska , 2013) filman estas escenas con una mano firme, lo que permite a los espectadores ver todo lo que está sucediendo y al mismo tiempo experimentar la emoción que conlleva ser un cuerpo que se mueve a grandes velocidades en el espacio y el tiempo.
Even though he and cinematographer Phedon Papamichael ( Nebraska , Downsizing ) have to keep up with some of the fastest cars built for the 1960s, there’s a warm crispness to every shot of the film.
Shot by Phedon Papamichael (Payne’s Nebraska, 2013), the look of the period is mostly well-administered, though an early montage set to a portion of Daniel Pemberton’s (Steve Jobs, 2015) score sets the film off on a hokey note, The Trial of the Chicago 7 might not reach the heights of some of Sorkin’s other political or courtroom scripted dramas, from “The West Wing” to A Few Good Men (1992).
Payne is clearly trying to achieve a sense of Midwestern realism in the casting of these smaller roles (much like how Richard Linklater achieved that small-town Texas flavor with “Bernie”), but it feels a little close-minded in the way that almost every character is portrayed as a redneck simpleton.