Fuqua and screenwriter Richard Wenk (“The Expendables 2”) borrow from all over — the Zen-like approach of an action hero from Asian martial-arts films, the instant sizing-up of dangerous situations and fast-slow fight choreography from Guy Ritchie movies and the fearless calm of Sean Connery’s James Bond or Clint Eastwood’s Man With No Name.
There’s nothing fundamentally new about what Fuqua and screenwriter Richard Wenk (whose work to date has been on lower-end action fare like The Mechanic and The Expendables 2) have put together here: The hotshot government agency man who’s retired for tragic personal reasons, his zen-like attitude borrowed from Asian action films, the thuggish Russian gangsters who run vulgar nightclubs and hookers and even the kind of hyper-vision and instant sizing up of situations that has recently been used to notable effect by Benedict Cumberbatch’s Sherlock Holmes.
Written by Richard Wenk (“The Expendables 2,” “The Mechanic”), “The Equalizer” is as familiar and rote as can be on every narrative level.
In the adaptation by Richard Wenk (16 Blocks, The Expendables 2), Robert works as a companionable employee at a Home Depot-style box store where he’s a good buddy with the other staff and rides the bus (Woodward’s Robert McCall drove a Jag).
Although much lighter fare and without a chance in hell of winning an Oscar, together the two of them, with a script by Richard Wenk--who also wrote The Expendables 2--produce a pretty entertaining vigilante fantasy piece.
Written by Richard Wenk, whose previous credits include The Expendables 2 and The Mechanic, it’s easy to see Fuqua’s attraction to the project.